Date for your diary – Thursday 12th October at 7.30pm in the hall at Challow Park.
Wantage Music Festival AGM
After 40 years in existence, WMF is looking to have some ‘new’ blood on the committee, together with more supporters generally, to make sure the festival can continue to offer great value for money, with the carefully selected adjudicators who are able to encourage performers of all ages and abilities.
The planning for the 2018 festival will start immediately after the AGM and so we need to find some people who would like to be involved in running the festival. Come along and find out more about what happens ‘behind the scenes’ and see how you can contribute.
The AGM will be followed by a time to chat over a glass of wine or fruit juice.
Listeners had a treat at the Instrumental Finals on Sunday 25th June, when junior and adult musicians nominated by each of the adjudicators competed for the instrumental finals. We heard some exceptional performances on piano, strings, woodwind and brass from competitors aged 9 (or under) upwards. They performed in front of a panel of two adjudicators, Paul Harris and Anthony Williams, who had the unenviable job of choosing the winners.
Vocal prizewinners were decided by Melanie Armitstead, the vocal adjudicator, during the song classes on Friday and Saturday 23rd and 24th June.
The Final Concert on Monday 26th June gave everyone another opportunity to hear some of the prizewinners and other notable performances, and was enjoyed by all.
The John Durrant Prize for the best instrumentalist aged 18 or under: Sasha Canter
The Cooper Cup for the best instrumentalist aged over 18: Brian Thomas
The John Miller Prize, for the best singer aged 28 or under in the Song Recital classes: Cathy Sim
The Wantage Town Shield for the best singer aged over 28: Shelley Cox
Our thanks go to the Wantage Town Council for sponsoring the Instrumental Finals afternoon, and to the Guild of King Alfred Players, the Wantage Town Council, and Alan Cooper for donating the prizes.
Also to all the performers throughout the Festival, who all worked hard to produce performances that we could enjoy, and to the adjudicators who encouraged, taught and inspired the competitors while assessing them, and gave many hints and tips to show how they might take their performing to the next level.
Do come and be our audience and that for our performers. Enjoy listening to our young and not-so-young performers and hear our expert adjudicators. It’s like a combination of a concert and a series of masterclasses!
It’s at The Hall at Challow Park, OX12 9RH. You can attend any and every session (except the final concert) with a ticket costing £3. Youngsters in full time education do not pay to be in the audience, but must be with an adult. Full details are in the Festival Programme, available for £2.50 at the hall.
This is when the main sessions are occurring:
Saturday 17th June -afternoon – 2pm to 4pm, strings (including guitars); evening – 5.30pm to 7pm strings (including concerto class)
Sunday 18th June – morning 10.30am to 12.30pm, piano; afternoon 2pm to 5pm piano (including recital)
Friday 23rd June – evening- 6pm to 8.15pm – vocal (including recitals – the John Miller Prize for young singers will be announced)
Saturday 24th June – singers all day – 10am-12.15pm, 2pm to 5pm and 6pm-8.30pm. All styles from folk and Songs from the Shows to Opera and Oratorio. Soloists and small and large ensembles.
Sunday 25th June – morning 10:30am – 12:30pm, brass: afternoon 2pm-4pm, instrumental ( including finals for the John Durrant Prize and Ken Cooper Cup.)
Monday 26th June, 7pm – Festival Final Concert (tickets on the door £7/£4.50).
Entries are closed and the programme is being prepared.
Tickets to the sessions are available on the door.
There is a great variety of music for all to enjoy listening to at the Festival including the final concert of special performances from the festival.
A single £3 ticket admits to all sessions across both weekends, school children are free.
Sessions cover vocal solos, piano, brass, strings, guitar, woodwind and choirs and chamber music. Expert advice from adjudicators throws light on our appreciation of the performances.